Search: Starring Reese Witherspoon

What matters here is what is real and what is the figment of a sick imagination.

Builds beautifully before losing its nerve, leaving a bitter taste of irony.

Roger Kumble's screenplay lacks the finesse, charm and wit of Choderlos de Laclos's 18th century classic.

An involving mystery which, alongside its immediate concerns, asks questions about human nature and the inherent mystery of mortality.

Witherspoon gives one of those performances that obliterates all before her.

Feels as real as the sand under their feet

What is Reese Witherspoon doing here? That's a loaded question, safety catch off

Somewhere down the road the film dies and the director hasn't noticed

But the real disappointment is Everett, who gives a lazy performance, as if he knows he can do this backwards and simply can't be bothered.

This is the tail end of the good times, Doc and his cohort seem as though they are fading out.

A love story that, despite my sincerest cynicism, allowed me to invest for the slender 90-minute runtime.

Witherspoon treads water. It's a shame.

Reese Witherspoon is irresistibly wonderful.

In Nichols' world, understanding isn't taught but something that comes with experience.

There's a sense of tragedy underlying all this but it doesn't overwhelm the narrative, and we get a distinct sense of who Vivian was as a person.

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

As a modern fairy tale Penelope has a gentle touch, and while flat in places it's definitely more silk purse than sow's ear.

The film springboards into carefully balanced comedy, and surprising social commentary.

By opening up his story Hood may reach a wider audience and this is a subject which certainly cries out for more attention.

If this sounds like a corn fed carbon copy of a Debbie Reynolds standard, it's not

The film is so false, it's all cardboard and frills.

The film suffers from oldness.

The film looks magnificent and the performances, particularly from Witherspoon and Atkins, are exemplary.

The film’s an unashamedly full-on exercise in manipulating your emotions, giving you an event every five minutes and keeping Kleenex in business.

Witherspoon completely inhabits the role.

Although the plot is a tired one, Walk The Line avoids hitting any dud notes, thanks to the excellence of the two leads.